The PM5D-EX dramatically expands the processing and I/O capability of the PM5D. The PM5D-EX comprises a PM5D V2 console plus up to two DSP5D Digital Mixing Systems. This will give you the I/O and processing capacity of three PM5D V2 consoles controlled from a single control surface, plus the added advantages of cat5 digital multicore over long distances. The configurable system architecture, flexibility and expandability will handle just about any live sound application. The PM5D has always been one of the few large digital consoles that can run at 96khz sampling rate with a full feature set.

The Yamaha PM5D V2 and PM5D-RH V2 deliver state-of-the-art digital performance, programmability and comprehensive recall in a dedicated, portable live control surface for virtually any sound reinforcement application. PM5D V2 includes over 30 refinements and innovations that have been implemented on the basis of feedback from experienced professionals in the field, including Virtual Soundcheck, extra EQ and Yamaha Add-On Effects. PM5D V2 also offers full compatibility with Yamaha's new DSP5D Digital Mixing System.
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The CL series is a new addition to the Yamaha range of Digital Mixing Consoles. The most advanced digital audio technology available and the evolution of Yamaha's Digital Mixer design philosophy has been applied throughout the series to deliver natural sound in an extraordinarily flexible range of products.

The system consists of three control surface/processor engines and two sizes of remote I/O racks connected by the Dante™ protocol. All specifications other than channel capacity are consistent throughout the line-up, so you get the same capabilities and performance whichever model you choose for your application. This also means consistent performance and operation in systems that implement multiple consoles. Every aspect of the design, from the evolution of Yamaha's highly respected Centralogic™ control, exceptional attention to ergonomic detail and constant evaluation of sonic capability during the development process, represents a step closer to the sonic and functional perfection which is Yamaha's goal.

CL Series and Rio Rack Brochure - (9.8MB)

The M7CL range consists of the M7CL-32, M7CL-48 and the M7CL-48ES. The M7CL-48ES features a built-in EtherSound interface for 48 remotely recallable XLR inputs and 24 XLR outputs (when fully expanded) via Cat5e in place of the internal mic preamps. It retains all the M7CL features including three expansion card slots available for live recording, Version 3 software on-board and full data compatibility with all M7CL consoles. All M7CLs feature a user friendly evolution of the Yamaha digital console user interface, including the Centralogic™ section, 16 mix buses, LCR bus, 8 matrix channels, 8 DCAs assignable to 16 omni outputs, high resolution effects and onboard graphic EQs. A summary of each mixer's capabilities is shown in The Systems Comparison Datasheet below.

The LS9 is Yamaha's most accessible live digital mixing solution. Available in a rack-mountable, 16-fader, 32-channel chassis or a mid-sized, 32-fader, 64-channel format with an identical core interface, the LS9 is a high-quality, compact, affordable and easy-to-use dedicated live console aimed at replacing conventional analogue mixers for live sound reinforcement and installation applications.

The SB168-ES remote stage box is designed to be used together with Yamaha digital mixers like the LS9 and M7CL. Utilising EtherSound technology, the SB168-ES gives you low-latency, high-quality bidirectional audio and control transfer over distances of up to 100 metres using a single Cat5e cable. Each unit gives you 16 XLR inputs, each with its own remotely controllable mic preamp, in addition to 8 XLR outputs. Daisy chain up to four units for simultaneous use.

The Yamaha DM2000VCM is a complete multi-platform mixing system. This high performance digital console offers 96 input channels, extensive surround production features, integrated digital audio workstation and ProTools® control. The DM2000 VCM is the only console to offer 96 channels, 96 kHz effects, advanced surround facilities, extensive integrated DAW and machine control, PC and card-based data management and digital patching in such a cost-effective, compact frame size. The Yamaha DM2000 provides full automation of virtually all console parameters, and features 24 smooth, quiet, touch-sensitive 100 mm motorized channel faders, which can instantly be layer-switched to control the 96 channels. The DM2000 VCM delivers unprecedented value by adding over $6,000 worth of Yamaha's Add-On Effects packages to the improved performance, added features, enhanced connectivity and cascading capability of the DM2000 Version 2.

The DM1000 VCM delivers the performance, versatility and key features of the DM2000 in a compact, rack-mountable mixing console. While the DM1000 is designed especially for commercial post-production, video soundtrack and broadcast purposes, it is also ideal for sound reinforcement applications. The DM1000 VCM incorporates all V2 features such as 6.1 Surround, User Assignable Layer and Global Recall Safe and adds over $6,000 worth of Yamaha's Add-On Effects packages, while Studio Manager software allows you to interchange all mix data between the DM2000, DM1000 and O2R96.

The 01V96VCM delivers the performance and reliability of Yamaha's digital live sound and production consoles in a compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. In addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's VCM effects built in. The entire console - effects included - features 24 bit/96 kHz operation.

The AD8HR is Yamaha's 8-channel, remotely controllable microphone preamp/AD converter in a compact 1U rack size unit. The AD8HR can be used with Yamaha digital consoles such as the PM5D, DM2000 and DM1000, providing high-quality remote microphone preamps with analogue circuitry derived from the PM5000 console. The AD8HR provides AES/EBU digital audio output via high-performance 24-bit/96-kHz AD converters, and allows gain, filter, and phantom power control directly from the console.